Tuesday, 16 November 2010
Task 1 - Panopticism
Tuesday, 23 March 2010
Lecture Notes: Modernity/Modernism & Mass Media
The Modernist period was between 1760-1966, which was a time of social and cultural experience. Today it is believed that we are living in a post-modern world.
Modern means ‘to make something new or improved’ and is created from the responses of artists/designers to Modernity.
Lecture Notes: Mass Media and Society
“Mass media is the modern systems of communications and distribution supplied by small groups of cultural producers, but directed towards a large number of consumers.
The ‘Late age of print’ began around 1450 and originated from the theorist Marshall McLuhan with Gutenberg’s innovation of the printing press, which was used to mass-produce the bible.
Hypermedia allows us to search through knowledge. Hypertext allows us to skip through it to find what we want.
-Superficial, uncritical, trivial
-Viewing figures measure success
-Audience is dispersed
-Audience is disempowered
-Encourages status quo
Advantages of the Mass Media include:
-Encourages empathy
-Power by the few motivated by profit/control
-Bland, Escapist
-Encourages Escapism
Lecture Notes: Advertising and the Media
Karl Marx: Communist Manifesto 1818-1883
-Communist Manifesto
-Das Kapital
Commodity culture perpetuates false needs through the use of aesthetic innovation, planned obsolescence and novelty. ‘Aesthetic innovation’ is a change in the way a commodity looks. An example of this would be a stainless steel toaster, which is modern and more attractive than a plastic toaster. ‘Novelty’ is when a product is developed and improved, making the consumer want the next best thing. An example of this could be a computer, which is developed, improved or upgraded every few months. ‘Planned Obsolescence’ is when commodities have a planned life expectancy: meaning after a certain amount of time the consumer will have to replace the product.
Lecture Notes: Graphic Design a Medium for the Masses
Herbert Spencer - ‘Mechanized art’
Max Bill & Josef Muller - ‘Visual Communication’
Richard Hollins - ’ The business of making or choosing marks and arranging them on a surface to convey an idea.
Paul Rand – Graphic design
Lecture Notes: The Document
“Photography achieves its highest distinction – reflecting the universality of the human condition in a never-to-be-retrieved fraction of a second`’- Cartier Bresson.
Documentary photography offers a compassionate perspective, which aims to show social and political circumstance.
Lecture Notes: Post Modernity & The Mass Media
Modernism involves- Experimentation, innovation, Individuality, development and the expression of new material, technology and a new modern life.
Post modernism began in the 1960’s and as a recognisable style in 1980
-Space for ‘new voices’
-Freedom
-Question of limitations
-Women, sexual diversity
Examples: Park Hill Flats – Sheffield
Frank Gehry, Guggenheim museum
Roy Lichtenstein
Jackson Pollock
Andy Warhole
Monday, 22 March 2010
Preliminary Bibliography
Berger, J. (1972) ‘Ways of Seeing’, Penguin Books Ltd. pp123-148
Marcuse, H. (1964) ‘One dimensional man’, Ark paperbacks. Pp
Williamson, J. (1994) ‘Decoding Advertisements’, Marion Boyars Publishers pp60-70
Marx, K (1992) ‘Capital: Volume 1’, Penguin Classics
Clark, E (1988) ‘The Want Makers: Inside the World of Advertising’, Penguin Publishers